- The imagery and thought processes behind film costumes.
point
When creating costumes, we do thorough research.
- Styling that deviates from historical accuracy is acceptable.
Filmmaking is a comprehensive art form; you need to learn everything to create something good.
Michiko Kitamura. Born in Ishikawa Prefecture in 1949. She has traveled extensively in places like the Sahara Desert, the Americas, and France. Since around the age of 30, she has worked as a costume designer for various media, including films, advertisements, and magazines. She won the Mainichi Film Awards Technical Award for her work on the film "Sukiyaki Western Django." Her published works include "Tribe," "TCOCUE," and "Costume Design 2."
A collection of film costume designs by Michiko Kitamura, one of Japan's leading # stylists. Includes numerous costume photographs taken over a five-year period by photographer Satoru Takayanagi of #.
If you want to be creative, you have to play to your heart's content until you're 30. However, by "play," I don't mean in a fleeting, hedonistic way, but rather play consciously with curiosity.
Making time to watch many high-quality films from the past and visiting art museums are fundamental ways to cultivate one's sensibilities and form the basis of creativity.
Written in colloquial language, it was easy to read and gave me a strong push to go to art school.
First reading completed 2011/04/05
Completed reading for the second time on 2021/04/03
Thank you for reading. Goodbye for now. Take care :)
Author: Michiko Kitamura; Paperback: 176 pages; Publisher: Little More
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