Ceramic Production Notes

Ceramics and artwork

What is a Black Raku Tea Bowl? — Reflecting on "Black" Tea Bowls through Sen no Rikyu, Chojiro, the Raku Museum, and My Own Works

What is a black Raku tea bowl? Based on the origins of Raku tea bowls by Sen no Rikyu and Chojiro, the techniques of hand-molding and carving, the actual pieces seen at the Raku Museum, and the experience of actually making a black Raku tea bowl, this book explains the form and the allure of "black" in an easy-to-understand way for beginners.
Ceramics and artwork

From "viewing" national treasures to "creating" them: Learning from Nonomura Ninsei and Ogata Kenzan about the design of polychrome tea bowls.

This book compares Nonomura Ninsei's national treasure, the "Polychrome Pheasant Incense Burner," which I saw in Kanazawa, with works by Ninsei and Ogata Kenzan that I saw at the Nezu Museum. It analyzes the polychrome enamel, form, patterns, and negative space of Kyoto ware, and introduces how this was applied to the actual production of polychrome tea bowls, along with photographs of the production process.
Art and Ceramics

Why is Princeton University a "tiger"?

Why is the tiger the symbol of Princeton University? Tracing its relationship with the Ivy League, college sports, mascot culture, Take Ivy, Reunion Jacket, and Penn State, this presentation introduces the background and production process of reinterpreting the Princeton Tiger as a ceramic artwork.